Euphorium resulted from a pad of keyboards Eric Toomsen made that I overdubbed with additional parts on a Korg Z1 synthesizer
Sepearate Striations of Time - Eric Toomsen played violin, bass, and kick drum; I played keyboards with synchronized arpeggiators, ribbon controller, kaos pad, cajon, and piano
Chrystal Chimera has suspended china bowls as bells Eric and I added to aprevious improv, I added keyboard bass
cerebral spasms is more china bowl bells over an improv of Eric on violin and me on synchronized keyboard arpeggiators and Kaoss Pad drums. Eric overdubbed bass and I added keyboard
miscellaneous mantra is as an improv with Eric on violin to which I added talking drum
Enigma Stigma is as an improv with Eric Toomsen on violin while I play keyboards with synchronized arpeggiators; I added fretless ukulele bass
Inner Stellar -I played keyboard arpeggiators and Kaoss Pad drums synchronized with tempo changes that follow a keyboard pad Eric Toomsen made
40 Ohms is an improv with Eric on violin and while I played synth and kaoss pad drums then Eric added synth and slide tenor ukulele (resonator), and I added slide baritone ukulele, Kaossilator, u-bass, and theremin.
Little Engine is an improv with Eric on violin and while I played synth and kaoss pad drums, I added synth, theremin, and melodicas then both Eric and I added electric bass
as usual Liftoff Lunacy again began as an improv; this time Eric Toomsen played drums while I played Z1 arpeggiator and later a Z1 solo, VP-770 vocoder/ensemble synth and some bass; Eric added violin, bass, guitar, and QS7 synth; it featuressynchronized Apollo 11 lift-off radio chatter.
explore-fare is a continuation of Liftoff Lunacy's instrumentation and lunar transmissions that transition into War of the Worlds
Journey to Zetan began as an improvisation between violin and keyboard with a beatbuddy drum pedal. A synth pad was transformed into an arpeggiator, then solo melodies were added on pan flute melodica and violin. A bass synth was also added.
Acid Anarchist began as an improvisation with Eric on violin and me on keyboard and BeatBuddy drum pedal, later I played Andes 25 pan flute melodica, then added Dragnet's Acid Anarchist/Friday and Star Trek's leader of Plato's Stepchildren
Infinite Funk began with Eric and I trading bass phrases with a drum loop then later Eric re-performed all the bass and drums and then I added brass with dynamic swells using an expression pedal. Eric then added mandolin and violin and I added an arpeggiated digeridoo.
Groundwater started with beat matched waterdrum with overdubbed jembe and bass arepeggiator over which Eric and I imrpovised; him on violin and me on pan flute melodica