One Last Shot is a movie written and produced by Todd Jordan. Steve Monsoni and I wrote the movie music; collaborating on some scenes, and working solo with others. It was fun.
First Contact was done with Steve. It was our first scene of collaboration. We initially improvised while watching the picture, then went back prepared for certain cues which also was the method of keeping our recording in sync with a video tape (lucky for me Steve was in charge of sync)
knock knock, hi jack I did alone with Sony Vegas and a Yamaha S80
Part of In the Lense caused some controversy with Steve and I since my music got a little more technical; inconsistent with the rest of the movie music, and part of it "sounds too much like Berverly Hill Cop", but I talked him and Todd into keeping it anyway.
This alternate music for Run Jack (after the game show host) wasn't used in the final movie; it was decided that it sounded too high tech compared with the rest of of the soundtrack. Another piece that Steve and I wrote together was used instead, but I prefer this one that I did with the S80 and Cakewalk's Sonar.
The this collaboration with Steves existing music was not used on the movie because it was said to sound too cluttered and complicated, but I liked it so here is the thicker version of Shove it Baby. I added strings to Steve's pad at the end of viewing the video tape recording, then after Jack rushes in I added brass and woodwind to Steves pad and keybaord bass.
movie music